The Uses of Would
Bill Jones, The Uses of Would, 1988, Silver print, lantern, window, 122 x 549 cm, 48 x 216 in, Installation view YYZ Gallery, Toronto.
Bill Jones, The Uses of Would, 1988, Silver print, lantern, window, 122 x 549 cm, 48 x 216 in, detail, YYZ Gallery, Toronto.
Bill Jones, The Uses of Would, 1988, Silver print, lantern, window, 122 x 549 cm, 48 x 216 in, detail, YYZ Gallery, Toronto.
Working in Brooklyn, The Brooklyn Museum, 1989
Bill Jones, Soul Catcher, 1989, silver prints on gold paper, 13 prints 139 x 193 cm, 55 x 76 inches each, steel, magnets, crystal lamp, eyeglasses, Installation view The Brooklyn Museum.
Bill Jones, Soul Catcher, 1989, silver prints on gold paper, 13 prints 139 x 193 cm, 55 x 76 inches each, steel, magnets, crystal lamp, eyeglasses, Installation view The Brooklyn Museum.
Bill Jones, Soul Catcher, 1989, silver prints on gold paper, 13 prints 139 x 193 cm, 55 x 76 inches each, steel, magnets, crystal lamp, eyeglasses, Installation view The Brooklyn Museum.
Bill Jones, Soul Catcher, 1989, silver prints on gold paper, 13 prints 139 x 193 cm, 55 x 76 inches each, steel, magnets, crystal lamp, eyeglasses, Installation view The Brooklyn Museum.
Bill Jones, Soul Catcher, 1989, silver prints on gold paper, 13 prints 139 x 193 cm, 55 x 76 inches each, steel, magnets, crystal lamp, eyeglasses, Installation view The Brooklyn Museum.
Orectic Objects
Bill Jones, As Above, So Below, 1988, Brass and steel stands and fittings, lens, lamp.
Orectic Objects camera in studio circa 1989
Bill Jones, Orectic Object (sign of Angels) 1988, Silver print on gold paper, 76 cm, 30 in dia; each
Bill Jones, As Above, So Below, 1988, Brass and steel stands and fittings, lens, lamp.
Second Sight
Bill Jones, Second Sight, Installation view, The Castellani Museum, Niagra Falls NY, 2000.
Bill Jones, Second Sight, Installation view, The Castellani Art Museum, Niagra Falls, NY, 1994.
Bill Jones, Superstition, Installation view, Garnett Press Gallery Toronto, 1994
Bill Jones, Superstition, Installation view, Garnett Press Gallery Toronto, 1994
Bill Jones, Second Sight, found eyeglasses, ball chain, alligator clips. Installation view The Koffler Gallery, May 8- June 15 1997.
Bill Jones, Second Sight, found eyeglasses, ball chain, alligator clips. Installation view The Koffler Gallery, May 8- June 15 1997.
Bill Jones, Second Sight 13, 1995, silver print on yellow paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 3, 1995, silver print on silver paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 3, 1995, silver print on red paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 4, 1995, silver print on silver paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 5, 1995, silver print on red paper, 20 x 25 cm, 8 x 10 inches.
Second Sight 14, 1995, silver print on yellow paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 7, 1995, silver print on silver paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 8, 1995, silver print on red paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 9, 1995, silver print on silver paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 9, 1995, silver print on red paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 15 , 1995, silver print on yellow paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 12, 1995, silver print on red paper, 20 x 25 cm, 8 x 10 inches.
Elevations, Levitations and the Twist, 1974
Bill Jones, Elevations, Levitations and the Twist, 1974, Colour and black and white photographs mounted on wood, dowel legs, 1.2×12.2 meters (4 x 40 feet). installation view, Bill jones a Survey, The Vancouver Art Gallery, 1976. Collection, The Art Gallery of Ontario.
Bill Jones, Elevations, Levitations and the Twist, 1974, Colour and black and white photographs mounted on wood, dowel legs, 1.2×12.2 meters (4 x 40 feet). installation view, Bill jones a Survey, The Vancouver Art Gallery, 1976. Collection, The Art Gallery of Ontario.
Bill Jones, Elevations, Levitations and the Twist, 1974, Colour and black and white photographs mounted on wood, dowel legs, 1.2×12.2 meters (4 x 40 feet). installation view, Bill jones a Survey, The Vancouver Art Gallery, 1976. Collection, The Art Gallery of Ontario.
Bill Jones, Elevations, Levitations and the Twist, 1974, Colour and black and white photographs mounted on wood, dowel legs, 1.2×12.2 meters (4 x 40 feet). installation view, Bill jones a Survey, The Vancouver Art Gallery, 1976. Collection, The Art Gallery of Ontario.
Bill Jones, Elevations, Levitations and the Twist, 1974, Colour and black and white photographs mounted on wood, dowel legs, 1.2×12.2 meters (4 x 40 feet). installation view, Bill jones a Survey, The Vancouver Art Gallery, 1976. Collection, The Art Gallery of Ontario.
Bill Jones, Elevations, Levitations and the Twist, 1974, Colour and black and white photographs mounted on wood, dowel legs, 1.2×12.2 meters (4 x 40 feet). installation view, Bill jones a Survey, The Vancouver Art Gallery, 1976. Collection, The Art Gallery of Ontario.
Bill Jones, Elevations, Levitations and the Twist, 1974, Colour and black and white photographs mounted on wood, dowel legs, 1.2×12.2 meters (4 x 40 feet). installation view, Bill jones a Survey, The Vancouver Art Gallery, 1976. Collection, The Art Gallery of Ontario.
Bill Jones | studio 
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