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Traffic: Conceptual Art in Canada 1965 – 1980. Installation view. Travelled to multiple Canadian Museums 2011-2012
Traffic: Conceptual Art in Canada 1965 – 1980. Installation view. Travelled to multiple Canadian Museums 2011-2012
Bill Jones, Landscape #1, 1971, silver print, cut glass, 122 x 122 cm, 48″ x48″. Collection The Vancouver Art Gallery.
Bill Jones, Landscape # 4, 1971, black and white photographs mounted on wood with cut glass overlays, 4 x 48 feet. (destroyed) Installation view Musee d’ Art Moderne, Paris, France.
Bill Jones, Landscape # 3, 1971 black and white photograph and shaped glass overlay. 48 x 48″
Bill Jones, Landscape # 2, 1971 black and white photograph and shaped glass overlay. 48 x 48″
Bill Jones, Elevations, Levitations and the Twist. 7 tables with photographic surfaces with color photographic overlays. 4 x 48 feet (variable) Collection The Art Gallery of Ontario, Toronto (detail table 1)
Bill Jones, Elevations, Levitations and the Twist. 7 tables with photographic surfaces with color photographic overlays. 4 x 48 feet (variable) Collection The Art Gallery of Ontario, Toronto (detail table 2)
Bill Jones, Elevations, Levitations and the Twist. 7 tables with photographic surfaces with color photographic overlays. 4 x 48 feet (variable) Collection The Art Gallery of Ontario, Toronto (detail table 3)
Bill Jones, Elevations, Levitations and the Twist. 7 tables with photographic surfaces with color photographic overlays. 4 x 48 feet (variable) , Installation view, A Space Toronto, 1974. Collection The Art Gallery of Ontario, Toronto (detail table 4)
Bill Jones, Elevations, Levitations and the Twist. 7 tables with photographic surfaces with color photographic overlays. 4 x 48 feet (variable) Collection The Art Gallery of Ontario, Toronto (detail table 5)
Bill Jones, Elevations, Levitations and the Twist. 7 tables with photographic surfaces with color photographic overlays. 4 x 48 feet (variable) Collection The Art Gallery of Ontario, Toronto (detail table 6)
Bill Jones, Elevations, Levitations and the Twist. 7 tables with photographic surfaces with color photographic overlays. 4 x 48 feet (variable) Collection The Art Gallery of Ontario, Toronto (detail table 7)
Bill Jones, The Garden Path, 1980, polyptych, color and silver prints, installation view Bill Jones 10 Years of Multiple Image Narratives, International Center of Photography, New York, 61 x 1219 cm, 2 x 40 feet
Bill Jones, The Garden Path, 1980, detail, silver print, 24×30 inches
Bill Jones, The Garden Path, 1980, polyptych, colour and silver prints, (detail triptych 2), 61 x 1219 cm, 2 x 40 feet.
Bill Jones, The Garden Path, 1980, polyptych, colour and silver prints, (detail triptych 3), 61 x 1219 cm, 2 x 40 feet.
Bill Jones, The Garden Path, 1980, polyptych, colour and silver prints, (detail diptych 2), 61 x 1219 cm, 2 x 40 feet.
Bill Jones, The Uses of Would, 1988, Silver print, lantern, window, 122 x 549 cm, 48 x 216 in, Installation view YYZ Gallery, Toronto.
Bill Jones, Soul Catcher, 1989, silver prints on gold paper, 13 prints 139 x 193 cm, 55 x 76 inches each, steel, magnets, crystal lamp, eyeglasses, Installation view The Brooklyn Museum.
Bill Jones, Soul Catcher, 1989, silver prints on gold paper, 13 prints 139 x 193 cm, 55 x 76 inches each, steel, magnets, crystal lamp, eyeglasses, Installation view The Brooklyn Museum.
Bill Jones, Soul Catcher, 1989, silver prints on gold paper, 13 prints 139 x 193 cm, 55 x 76 inches each, steel, magnets, crystal lamp, eyeglasses, Installation view The Brooklyn Museum.
Bill Jones, Installation view Investigation, Meditations, Lamentations, Selections 1970-1990. Presentation House Gallery, North Vancouver BC, Oct 19 – Nov. 25 1990.
Bill Jones, Orectic Object (sign of Angels) 1988, Silver print on gold paper, 76 cm, 30 in dia; each
Bill Jones, Gates of Paradise, 1979, color and silver print, 61 x 462 cm, 24 x 182 inches
Bill Jones, Les Crimes de l’ Amour, 1978, Colour and black and white photographs, 40.6 x 1219 cm, 16 x 480 in. Installation view PS 1. Collection The Art Bank
Bill Jones, Les Crimes de l’ Amour, 1978, Colour and black and white photographs, 40.6 x 1219 cm, 16 x 480 in. (detail triptych 2). Collection The Art Bank
Bill Jones, Les Crimes de l’ Amour, 1978, Colour and black and white photographs, 40.6 x 1219 cm, 16 x 480 in. (detail diptych 1). Collection The Art Bank
Bill Jones, Les Crimes de l’ Amour, 1978, Colour and black and white photographs, 40.6 x 1219 cm, 16 x 480 in. (detail triptych 1). Collection The Art Bank
Bill Jones, Les Crimes de l’ Amour, 1978, Colour and black and white photographs, 40.6 x 1219 cm, 16 x 480 in. (detail triptych 3). Collection The Art Bank
Bill Jones, The Human Condition (Friendship), 1979, polyptych, color and silver prints, 61 x 305 cm, 24 x 120 inches
Bill Jones, The Human Condition (Double Portrait), 1979, diptych, color and silver print, 61 x 152 cm, 24 x 60 inches
Bill Jones, The Human Condition (Library), 1979, diptych, color and silver print, 61 x 152 cm, 24 x 60 inches
Bill Jones, The Human Condition (Kitchen), 1979, diptych, color and silver print, 61 x 152 cm, 24 x 60 inches
Orectic Objects camera in studio circa 1989
Bill Jones, Posthorn (still) 2006, digital print 24 x 30 “
Bill Jones, Posthorn (still) 2006, digital print 24 x 30 “
Bill Jones, Posthorn (still) 2006, digital print 24 x 30 “
Bill Jones, Electric Water 3, 2011, Iris Print, 30″ x 40″.
Bill Jones, Second Sight, Installation view, The Castellani Museum, Niagra Falls NY, 2000.
Bill Jones, Second Sight, Installation view, The Castellani Art Museum, Niagra Falls, NY, 1994.
Bill Jones, Second Sight 13, 1995, silver print on yellow paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 12, 1995, silver print on red paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 15 , 1995, silver print on yellow paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 9, 1995, silver print on red paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 9, 1995, silver print on silver paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 8, 1995, silver print on red paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Second Sight 7, 1995, silver print on silver paper, 20 x 25 cm, 8 x 10 inches.
Second Sight 14, 1995, silver print on yellow paper, 20 x 25 cm, 8 x 10 inches.
Bill Jones, Superstition, Installation view, Garnett Press Gallery Toronto, 1994
Bill Jones, Superstition, Installation view, Garnett Press Gallery Toronto, 1994
Bill Jones, Second Sight, found eyeglasses, ball chain, alligator clips. Installation view The Koffler Gallery, May 8- June 15 1997.
Bill Jones, Second Sight, found eyeglasses, ball chain, alligator clips. Installation view The Koffler Gallery, May 8- June 15 1997.
Bill Jones and Ben Neill, Pulse, networked light and sound sculpture, installation view Sandra Gering Gallery
Bill Jones and Ben Neill performance with interactive light instruments, The Natural History Museum, NY, New Years Eve, 2001
Bill Jones, Hall of the Red Planet, 2014, Chromagenic print on aluminum, 30″x40″
Bill Jones, Hall of the Red Planet, 2014, Chromagenic print on aluminum, 30″x40″
Bill Jones, Hall of the Red Planet, 2014, Chromagenic print on aluminum, 30″x40″
Bill Jones, Made by Playing Rhapsody in Blue 4, 2011, Chromagenic print on aluminum, 40 x 60 inches
Bill Jones, Made by Playing Rhapsody in Blue 2, 2011, Chromagenic print on aluminum, 40 x 6 inches.
Bill Jones, Fleur du mal 10, 2013, silver print, 16 x 20 inches
Bill Jones, Fleur du mal 1, 2013, silver print, 16 x 20 inches
Bill Jones, Fleur du mal 7, 2013, silver print, 16 x 20 inches
Bill Jones, Fleur du mal 9, 2013, silver print, 16 x 20 inches
Bill Jones, specimen (cleavage), 2015, digital print, 32 x 46″
Bill Jones, specimen (seed), 2015, digital print, 32 x 46″
Bill Jones, specimen (stage), 2015, digital print, 32 x 46″
Bill Jones, specimen (signal), 2015, digital print, 32 x 46″
Bill Jones, specimen (refraction), 2015, digital print, 32 x 46″
Bill Jones, specimen (membrane), 2015, silver print, 24×30 inches
Bill Jones, specimen (membrane), 2015, silver print, 24×30 inches
Bill Jones, specimen (cleavage), 2015, cyanotype, 24 x 30″
Bill Jones, purple spill # 6, 2015, cyanotype, 8×10 inches
Bill Jones, purple spill # 5, 2015, cyanotype, 8×10 inches
Bill Jones, red spill # 3, 2015, cyanotype, 8×10 inches
Bill Jones, Purple spill 1, 2015, unique cyanotype, 8×10 inches
Bill Jones, purple spill # 3, 2015, cyanotype, 8×10 inches
Final Curtain, 2015, multiple exposure, chromogenic print from 4×5 in. transparency.
Incidental Flowers, 2015, multiple exposure, chromogenic print from 4×5 in. transparency.
Ancient Walls, 2015, multiple exposure, chromogenic print from 4×5 in. transparency.
Bill Jones, View from the Wall 1, 2015, digital print 24 x 30″
Bill Jones, View from the Wall 2 (Empire), 2015, digital print 24 x 30″
Bill Jones, View from the Wall 3 (rust), 2015, digital print 24 x 30″
Bill Jones, View from the Wall 6 (dusky) , 2015, digital print 24 x 30″
Bill Jones, Madison Square 1, 2014, digital print, 24 x 30″
Bill Jones, Madison Square 2, 2014, digital print, 24 x 30″
Bill Jones, Madison Square 3, 2014, digital print, 24 x 30″
Bill Jones, Orectic Object , 1989, 54 x 80 inches, silver print on gold paper.
Bill Jones, Orectic Object , 1989, 54 x 80 inches, silver print on gold paper. Installation view Amy Lipton Gallery.
Bill Jones, 21C Orectic 1, 2015, digital print, 30″ x 40″
Bill Jones, 21C Orectic 2, 2015, digital print, 30″ x 40″
Bill Jones, Orectic Object, 1989, 54 x 80 inches, silver print on gold paper.
Bill Jones, 21C Orectic 3, 2015, digital print, 30″ x 40″
Bill Jones, 21C Orectic 3, 2015, digital print, 30″ x 40″
Bill Jones, 21C Orectic 4, 2015, digital print, 30″ x 40″
Bill Jones, Cosmos 1 (negative), 2014, digital print 24 x 30″
Bill Jones, Cosmos (positive), 2014, digital print 24 x 30″
Bill Jones, neau 1, 2016, digital print 24″ x 30″
Bill Jones, neau 2, 2016, digital print 24″ x 30″
Bill Jones, neau 3, 2016, digital print 24″ x 30″
Bill Jones, bauhaus 1, 2016, digital print, 24 x 30″
Bill Jones, bauhaus 2, 2016, digital print, 24 x 30″
Bill Jones, bauhaus 3, 2016, digital print, 24 x 30″
Bill Jones, Rumi, 2016, Iris print, 30 x 40″
